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	<title>Comments for NWIITT</title>
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	<link>http://nwiitt.org.uk</link>
	<description>North West Institute of IT Training Regional Group</description>
	<lastBuildDate>Thu, 11 Mar 2010 00:11:56 +0000</lastBuildDate>
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		<title>Comment on Blue Yeti Professional USB Microphone by Mark</title>
		<link>http://nwiitt.org.uk/blue-yeti-professional-usb-microphone/comment-page-1#comment-5</link>
		<dc:creator>Mark</dc:creator>
		<pubDate>Thu, 11 Mar 2010 00:11:56 +0000</pubDate>
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		<description>Having been through some confusion of trying to connect stereo microphones into left and right XLR channels, this ~£100 device would appear to keep usagesimple.
BUT, I don&#039;t really understand what signals are coming down this USB (and found no help at Blue site) and what an application sees.
 So I&#039;m asking you what you have observed as a user...

I would assume you will always get 2 distinct channels coming into the computer and recording software. (Correct ?) So, I wondered how that maps onto cardioid, bidirectional, omnidirectional ...and &quot;stereo&quot; ?
Firstly, if you turned the bidirectional mode through 90 degrees naively that gives classic Left/Right stereo channels - I&#039;m guessing that is much like stereo but with a very sharp directional cut-off.
- i.e a narrow figure-8 versus a wide figure-8 ?

Cardioid is (front-priority) directional as opposed to omnidirectional.

But in all four of those modes do we get 2 distinct and potentially different signals taken from the left and right side of the microphone  ... or does that still require 2 (or more) microphones ?</description>
		<content:encoded><![CDATA[<p>Having been through some confusion of trying to connect stereo microphones into left and right XLR channels, this ~£100 device would appear to keep usagesimple.<br />
BUT, I don&#8217;t really understand what signals are coming down this USB (and found no help at Blue site) and what an application sees.<br />
 So I&#8217;m asking you what you have observed as a user&#8230;</p>
<p>I would assume you will always get 2 distinct channels coming into the computer and recording software. (Correct ?) So, I wondered how that maps onto cardioid, bidirectional, omnidirectional &#8230;and &#8220;stereo&#8221; ?<br />
Firstly, if you turned the bidirectional mode through 90 degrees naively that gives classic Left/Right stereo channels &#8211; I&#8217;m guessing that is much like stereo but with a very sharp directional cut-off.<br />
- i.e a narrow figure-8 versus a wide figure-8 ?</p>
<p>Cardioid is (front-priority) directional as opposed to omnidirectional.</p>
<p>But in all four of those modes do we get 2 distinct and potentially different signals taken from the left and right side of the microphone  &#8230; or does that still require 2 (or more) microphones ?</p>
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		<title>Comment on Windows 7 by mthomas.co.uk &#187; Blog Archive &#187; Installing Windows 7 in a Virtual Machine</title>
		<link>http://nwiitt.org.uk/windows-7/comment-page-1#comment-2</link>
		<dc:creator>mthomas.co.uk &#187; Blog Archive &#187; Installing Windows 7 in a Virtual Machine</dc:creator>
		<pubDate>Sun, 28 Feb 2010 14:40:56 +0000</pubDate>
		<guid isPermaLink="false">http://thomasmike.com/?p=12#comment-2</guid>
		<description>[...] I&#8217;d agreed to deliver a presentation on running Windows 7 in a virtualised environment for NWIITT was, I suppose, the real impetus for doing the [...]</description>
		<content:encoded><![CDATA[<p>[...] I&#8217;d agreed to deliver a presentation on running Windows 7 in a virtualised environment for NWIITT was, I suppose, the real impetus for doing the [...]</p>
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