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	<title>Comments on: Blue Yeti Professional USB Microphone</title>
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	<link>http://nwiitt.org.uk/blue-yeti-professional-usb-microphone</link>
	<description>North West Institute of IT Training Regional Group</description>
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		<title>By: Mark</title>
		<link>http://nwiitt.org.uk/blue-yeti-professional-usb-microphone#comment-6</link>
		<dc:creator>Mark</dc:creator>
		<pubDate>Thu, 11 Mar 2010 00:11:56 +0000</pubDate>
		<guid isPermaLink="false">http://nwiitt.org.uk/?p=556#comment-6</guid>
		<description>Having been through some confusion of trying to connect stereo microphones into left and right XLR channels, this ~£100 device would appear to keep usagesimple.
BUT, I don&#039;t really understand what signals are coming down this USB (and found no help at Blue site) and what an application sees.
 So I&#039;m asking you what you have observed as a user...

I would assume you will always get 2 distinct channels coming into the computer and recording software. (Correct ?) So, I wondered how that maps onto cardioid, bidirectional, omnidirectional ...and &quot;stereo&quot; ?
Firstly, if you turned the bidirectional mode through 90 degrees naively that gives classic Left/Right stereo channels - I&#039;m guessing that is much like stereo but with a very sharp directional cut-off.
- i.e a narrow figure-8 versus a wide figure-8 ?

Cardioid is (front-priority) directional as opposed to omnidirectional.

But in all four of those modes do we get 2 distinct and potentially different signals taken from the left and right side of the microphone  ... or does that still require 2 (or more) microphones ?</description>
		<content:encoded><![CDATA[<p>Having been through some confusion of trying to connect stereo microphones into left and right XLR channels, this ~£100 device would appear to keep usagesimple.<br />
BUT, I don&#8217;t really understand what signals are coming down this USB (and found no help at Blue site) and what an application sees.<br />
 So I&#8217;m asking you what you have observed as a user&#8230;</p>
<p>I would assume you will always get 2 distinct channels coming into the computer and recording software. (Correct ?) So, I wondered how that maps onto cardioid, bidirectional, omnidirectional &#8230;and &#8220;stereo&#8221; ?<br />
Firstly, if you turned the bidirectional mode through 90 degrees naively that gives classic Left/Right stereo channels &#8211; I&#8217;m guessing that is much like stereo but with a very sharp directional cut-off.<br />
- i.e a narrow figure-8 versus a wide figure-8 ?</p>
<p>Cardioid is (front-priority) directional as opposed to omnidirectional.</p>
<p>But in all four of those modes do we get 2 distinct and potentially different signals taken from the left and right side of the microphone  &#8230; or does that still require 2 (or more) microphones ?</p>
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